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Internationally recognized artist Johann Eyfells, of Johnson City, Texas, retired from teaching art at the University of Central Florida in 2002, and has come back for this show. He continues to explore the nature of "receptualism," a neologism he coined to explain the process by which a material receives unseen forces and substances, which result in his incredible, organic images and forms.

An internationally known artist, Eyfells is perhaps the only one today pushing the frontier of chance that artist Marcel Duchamp opened up in 1913 with his "Three Standard Stoppages." Both Eyfells' paper series, which he entitles with another neologism, "Collapsion," and his metal sculpture, an untitled series, take their process from a unique philosophical stance towards art and material, and the nature of chance in art. Receptualism's theoretical basis is highly consistent between the two mediums, and the rigor of his argument is contrasted with the delicately dematerialized art. By keeping his forms simple, the inner essence of the art is allowed to breathe, and a brightness exists with each piece of work he has created.

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